Live streamed performance and talk with Ezra Seltzer and Wen Yang, followed by a Q&A for our Patreon supporters.
Live streamed performance and talk with Shirley Hunt and Wen Yang, followed by a Q&A for our Patreon supporters.
Live streamed performance and talk with Matt Zucker and Wen Yang, followed by a Q&A for our Patreon supporters.
Live streamed performance and talk with Sarah Stone and Wen Yang, followed by a Q&A for our Patreon supporters.
Live streamed performance and talk with Paul Dwyer and Wen Yang, followed by a Q&A for our Patreon supporters.
Live streamed performance and talk with Nathan H. Whittaker and Wen Yang, followed by a Q&A for our Patreon supporters.
New York Baroque Incorporated joins The Saint Thomas Choir of Men and Boys once again by for the wonderful and under-performed ‘stile galant’ oratorio by J. S. Bach’s illustrious son, Carl Philipp Emanuel Bach. Die letzten Leiden des Erlösers (The Last Sufferings of Christ) was first performed in 1770, and was performed in C.P.E. Bach’s native Hamburg every year until 1785. Contemplative and dramatic by turns, this refined music offers a beautiful introduction to the spirituality of the season.
Reflecting the life of Jean-Baptiste Lully, godfather of French opera, New York Baroque Incorporated debuts at the Miller Theater with a program shaped by the style, structure, and spectacle of his music as well as his multicultural upbringing. Pairing frilly French opera overtures and stylish ballet dances with virtuosic Italian sinfonias and concerti grossi, the program balances the two leading musical tastes of the Baroque with music by Mondonville, Telemann, and expats (like Lully himself) Muffat and Handel.
Led by Richard Egarr, NYBI presents a joyous evening of Johann Sebastian Bach; his Brandenburg Concertos No. 5 and 6, featuring a crazed harpsichordist and solos for underdog instruments, and massively fun dance suites for the whole orchestra!
Program
Orchestral Suite No. 1
Brandenburg Concerto No. 6
Brandenburg Concerto No. 5
Orchestral Suite No. 3
Led by Richard Egarr, NYBI presents a joyous evening of Johann Sebastian Bach; his Brandenburg Concertos No. 5 and 6, featuring a crazed harpsichordist and solos for underdog instruments, and massively fun dance suites for the whole orchestra!
A mainstay of Christmas in New York, New York Baroque Incorporated joins The Saint Thomas Choir of Men and Boys’ for two performances of Handel’s Messiah. Hailed by The New York Times as “one of the most prominent and special [Messiahs] of the city,” these concerts have become an annual tradition for many, heralding the coming of the festive season.
A mainstay of Christmas in New York, New York Baroque Incorporated joins The Saint Thomas Choir of Men and Boys’ for two performances of Handel’s Messiah. Hailed by The New York Times as “one of the most prominent and special [Messiahs] of the city,” these concerts have become an annual tradition for many, heralding the coming of the festive season.
NYBI closes the season on with its debut at the Caramoor Center north of Manhattan. Mezzo-soprano Vivica Genaux joins NYBI in a program of arias and cantatas by Handel, Vivaldi and Hasse, paired with instrumental works by Francesco Geminiani and Vivaldi.
George Frideric Handel Overture from La resurrezione, HWV 47
“Qual’insolita luce – Caddi, è ver, ma nel cadere”
"Ebben, questo tuo Nume – O voi dell’Erebo”
“I rage, I melt, I burn … O ruddier than the cherry” from Acis and Galatea
Alessandro Scarlatti Sinfonia avanti la Serenata
Bonaventura Aliotti “Cessi il vostro dolore - Non sospirare no - Se dell’ombre il” from Santa Rosalia
Johann Sebastian Bach Orchestral Suite No. 3 in D, BWV 1068
“Der alte Drache brennt vor neid” from Herr Gott, dich loben alle wir, BWV 130
“Alles, was von Gott geboren” from Ein feste Burg ist unser Gott, BWV 80
NYBI joins Benjamin Sheen in a program of chamber music celebrating the Martha J. Dodge Continuo Organ and a new harpsichord recently purchased from Willard Martin.
Marin Marais (1656 – 1728) Suite from Alçione
Arcangelo Corelli (1653-1713) Concerto grosso in G minor Op.6 No.8 ‘Fatto per la Notte di Natale’
Carlo Farina (c. 1604 – 1639) Capriccio Stravagante
Georg Philipp Telemann (1681 – 1767) Ouverture TWV 55:F 7 "‘Suite a la pastorelle’
Jean-Philippe Rameau Suite from Platée
Louis-Nicolas Clérambault Orphée
George Frideric Handel Il delirio amoroso, HWV99
With such emotional weight, and in a perfect balance of drama and spirituality, Johann Sebastian Bach’s St. John Passion has become synonymous with Passiontide and Easter observances around the world.
Georg Philipp Telemann Ouverture-Suite Wassermusik, TWV 55:C3
Antonio Vivaldi Violin Concerto in F minor, L’inverno, RV 297
Pietro Locatelli Concerto grosso in E-flat, Op. 7, No. 6, Il pianto d’Arianna
George Frideric Handel Concerto Grosso in B-flat, Op. 3, No. 2
NYBI debuts at Weill Recital Hall Polish countertenor Jakub Józef Orliński.
NYBI returns to the Saint Thomas Church to collaborate with the venerated institution’s Choir of Men and Boys in the highly-anticipated annual performances of Handel’s Messiah.
NYBI returns to the Saint Thomas Church to collaborate with the venerated institution’s Choir of Men and Boys in the highly-anticipated annual performances of Handel’s Messiah.
New York Baroque Incorporated and MasterVoices join forces to present Israel in Egypt (HWV 54) by George Frideric Handel in Carnegie Hall's Stern Auditorium.
NYBI opens its season with a program that Baches up the family tree with music by C.P.E., J.C., and J.S. Bach. The Grammy nominated Choir of Trinity Wall Street will join the orchestra in J.S. Bach’s secular cantata “Schleicht, spielende Wellen”, BWV 206.
Join Amor Artis and New York Baroque Inc. for a concert of Monteverdi’s Vespers of 1610, a splendorous, richly varied collection of psalms, hymns, canticles, and motets.
Le Nymphe di Rheno
Works for two and three viols by Schenck, Couperin, and Marais, with musicians Wen Yang, Sarah Cunningham, and Shirley Hunt.
Thursday, April 12 at 7:30pm
Friday, April 13 at 7:30pm
Saturday, April 14 at 8:00pm
Sunday, April 15 at 3:00pm
Thursday, April 12 at 7:30pm
Friday, April 13 at 7:30pm
Saturday, April 14 at 8:00pm
Sunday, April 15 at 3:00pm
Thursday, April 12 at 7:30pm
Friday, April 13 at 7:30pm
Saturday, April 14 at 8:00pm
Sunday, April 15 at 3:00pm
