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LOVE LETTERS: Suite No. 5

Join NYBI’s artistic director Wen Yang for a live stream featuring soloist Matt Zucker performing J. S. Bach’s Cello Suite No. 5.

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Cruel absence, thou lover’s hell! what pangs, what soul felt pangs, dost thou inflict!—Cheer up, my child of discretion — and comfort you self that every day will bring the endearing moment of meeting, so much nearer—chew the cud upon rapture in reversion—and indulge your fancy with the sweet food of intellectual endearments; — paint in your imagination the thousand graces of your H—— , and believe this absence a lucky trial of her constancy.
— Ignatius Sancho’s advice TO MR[.] K——, Dalkeith, July 16, 1770. Sunday.

Meet Matt

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Matt Zucker appears internationally as a collaborator and soloist specializing in historical cellos and viola da gamba. Recent engagements include performances with Les Arts Florissants, Trinity Baroque Orchestra, House of Time, Washington National Cathedral Baroque Orchestra, TENET Vocal Artists, The Sebastians, Variant 6, and Opera Lafayette. Matt has spent his summers performing at the Boston Early Music Festival, Dans les Jardins de William Christie in Thiré, France, and Teatro Nuovo, a festival dedicated to historically-informed performances of 19th-century opera. Matt graduated from the Historical Performance program at the Juilliard School and was awarded a Benzaquen Career Advancement Grant. He holds additional degrees in cello performance and music theory from the Eastman School of Music and the Cleveland Institute of Music. Matt can be heard on Brillance Indéniable, a Swineshead Productions recording of Louis-Gabriel Guillemain violin works with Alana Youssefian and Le Bien-Aimé.

Earlier Event: January 2
LOVE LETTERS: Suite No. 6
Later Event: March 6
LOVE LETTERS: Suite No. 3